News and Shows
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transforming landscapes
photography and video installation
august 26 - sepember 1, 2024
get together: saturday, august 31, 6:00 p.m.
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transition
HP8 Gasteig München
dec 12, 2023 - jan 30, 2024
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als wäre ich du
Kuratiert von ↗ Julia Hainz
Opening 15.3. 18.00
Finissage 17.3. 18.00
Basis Projektraum, Elbestr 10 FFM
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CROSSLINK - Tandem 05
Martina Kändler & Susanne Pittroff
Update: Ausstellungseröffnung 05.03.23 17:00Uhr
04.03.2023 – 26.03.2023
Jeden Tag geöffnet 10.00 bis 22.00 Uhr
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ADAPTER_The Fake Green Grass Of Home
↗ adapter_platform ↗ kultur.lokal.fürth
Eröffnung 24.02.2023, Freitag 18:00-21.00 Uhr
Ausstellungszeitraum 25.02.-12.03.23
Finissage 12.03.2023, Sonntag 18:00-19.00 Uhr
„The Fake Green Grass Of Home“ beschäftigt sich mit Erinnerungen an eine noch nicht durchquerte Zukunft, erzählt von dystopischen Zukunftsentwürfen und verlorenen Utopien. Mit den Techniken verschiedener Generationen - aktuell, veraltet, obsolet, fiktiv - und einem interdisziplinären Umgang – poetisch, wissenschaftlich, pragmatisch, forschend – schaffen die Künsterlnnen ein post-apokalyptisches und pränatales Bild aus Erinnerungen an eine fiktive Vergangenheit und stellen Fragen nach dem Keim eines neuen Seins.
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CROSSLINK
KünstlerInnen der ↗ HP8 Ateliers in der Halle E
Eröffnung: Donnerstag 6.10.2022 19:00
zu sehen bis 30.10.2022
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SIPHONE
kinetic sound and light installation
together with ↗ Regine Elbers
↗ Das KloHäuschen, an der Großmarkthalle München
october 7 - october 22, 2022 (on view anytime)
party: MITTENDRIN october 14, 19:00
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can a landscape
video 5:46min
3.11 - Dialogue with Fukushima
march 8 - 13, 2022
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DIGITAL CYANOMETER
interactive website
↗ https://digitalcyanometer.com
↗ Trolls in the Park, Zenpukuji Park, Tokyo
november 3, 2021 - november 23, 2021
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silent spectacle
kinetic light installation
↗ Das KloHäuschen, an der Großmarkthalle München
Thalkirchner Str/Ecke Oberländerstr.
november 20, 2020 - january 16, 2021
on view anytime, come after sunset for best impression
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pinnacles
performance offshore in the Baltic Sea
workshop stipend at ↗ Künstlerhaus Lukas, Ahrenshoop
august 2020
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Dynamisches Objekt
with Joanna Maxellon and Anna Steward
august 12, 2020, 19:00
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↗ KloHäuschen Biennale, KH-Kunsthalle, Munich
july 10-august 14, 2020
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EVAPORATE
participatory double-projection
↗ Blaue Nacht Risiko, Parkhaus Sterntor, Nürnberg
art projects preview: may 1, 2020, 20:00-24:00main event: may 2, 2020, 19:00-late -
walk in the park
photography
↗ contemporary art ruhr, Essen
photo/media art fair, march 6-8, 2020
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intermediate
photography
↗ NEW year SAME desire, Künstlerhaus Andreasstadl, Regensburg
opening reception feb 28, 2019
finissage postponed
march 13, 2020, 19:00 -
silent spectacle
↗ trolls in the park, Nishi Ogikibo, Tokyo
opening reception nov 3, 2019
the installation will be on view until the nov 23, 2019
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hide and seek | video screening
out of the blue | installation↗ S.Y.P art space, Akebonobashi, Tokyo
nov 7, 2019, 19:00-22:00
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goldraum | photography
siebensachen | object↗ Regensburger Kulturtage, Künstlerhaus Andreas-Stadel
opening reception oct 18, 2019
the installation will be on view until the oct 20, 2019
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Artist Residency ↗ sculpturespace
Utica, New York
april/may 2019
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out of the blue
investigation on the color of the sky during dusk
opening reception may 28, 2018, one hour before sunset
the installation will be on view until july 2019
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topology
video installation and photography
↗ S.Y.P art space, Akebonobashi, Tokyo
opening thursday may 24, 2018, 15:00-20:00
sunday may 20, 15:00-20:00, friday may 11, 17:00-21:00, may 12-13, 13:00-20:00
installation in public space
installation & video
- SIPHONE (2022)
- can a landscape (2022)
- EVAPORATE (2020)
- Skybox Dreaming (2019)
- topology (2018)
- Basis ><1 (2016)
- out of the blue (since 2012)
- Agonist (2014)
- hide and seek (2014)
laser installation
interactive digital media
staged photography
- transition (2023)
- medusa plastica (2022)
- pinnacle (2022)
- intermediate (2020)
- topology (2018)
- Goldraum (2017)
- grey space (2017)
- unidentified (2014)
- Modell/Licht/Raum (2014)
documentary photography
performance
kinetic light objects
object
Gallery
can a landscape ✖
2022 | video 5:46 min
The video reflects the diverse interdependencies of society, politics and nature. The ambiguity of the words and scenes unfolds in many layers and opens up the discussion on contemporary issues, offering space to rethink our position.
The video was taken on a train ride from Tokyo to Aomori, the camera facing east.SIPHONE ✖
2022 | sound and video installation
↗ Das Klohäuschen, Munich, 2022, in collaboration with Regine Elbers
Die Wellen von Klang und Licht verhalten sich in verschiedenen Materien divergent. Regine Elbers und Martina Kändler untersuchen die Grenzflächen und Zwischenräume von Wasser und Luft in ihrer Ausbreitung, Absorption und Spiegelung.
In der gemeinsam konzipierten multimedialen Rauminstallation wird das transparente und stille Element Wasser durch Bewegungen und Beugung wahrnehmbar. Die Künstlerinnen kombinieren spiegelnde Oberflächen und gluckernde Untergründe, Analoges und Digitales, Sichtbares und Hörbares.
Das Klohäuschen bildet Schnittstellen von Oben, Unten, Innen und Außen, die in der Installation reflektiert und umgekehrt werden. Hier tritt das Wasser heraus, schillert, tropft, sprudelt, fasziniert und verschwindet im vernetzten Rohrsystem – ein Abbild unserer Lebensweise und Tagesrhythmen. In ihrer Installation legen Elbers und Kändler diese Zusammenhänge offen.
EVAPORATE ✖
2020 | participatory installation with double projection
Selected for display at ↗ Blaue Nacht Risiko, Parkhaus Sterntor, Nürnberg, 2020 (cancelled), in collaboration with Gidon Ernst
Evaporation beschreibt den Übergang einer Flüssigkeit in einen gasförmigen Zustand. Die Oberfläche bildet eine Membran zwischen den unterschiedlichen Erscheinungsformen. Wir stellen eine Information online und die Daten verflüchtigen sich wie verdampfendes Wasser. Doch auch wenn der Wasserdampf kaum sichtbar ist, bleibt die Substanz erhalten und schlägt sich an einem anderen Ort nieder.
Vertex ✖
2016 | Vertex, permanent light installation of luminous stones on the stairway along the historic city wall in Herrenberg. Light art festival “ascents“ cultural region Stuttgart Germany, in collaboration with Katharina Heubner and Susan Helen Miller, photography: Martina Kändler, Rolf Schwarz
“Calculations of human perception have shown that if the human eye were a digital camera, it would have a resolution of 576 megapixels. Artists Katharina Heubner, Martina Kändler and Susan Helen Miller have used this figure as a basis for their installation “Vertex“. They have taken the lights of Herrenberg as seen from its historic city wall and turned them into an installation involving 576 analogue pixels. Luminous cobblestones have been set into the path that leads up to the castle ruins. The sun’s rays charge the stones during the day so that they glow when darkness falls. The layout of the stones mirrors the lights of the town below.
Outside Herrenberg’s city walls, which were erected when the town was founded around 1200, a cobbled, stepped path zigs-zags its way up alongside the fortifications to the Schlossberg. A sculpture trail also runs up onto the Schlossberg from the old town. 25 sculptures by contemporary artists commemorate the painter Jerg Ratgeb, who was elected chancellor during the German Peasants‘ War, and visitors can also follow a special trail around Herrenberg with 23 stops to learn about the history of its half-timbered buildings.“ (↗ Kulturregion Stuttgart)
Plateau ✖
2016 | Plateau, laser installation on the old castle, Herrenberg.
Light art festival “ascents“ cultural region Stuttgart Germany,
in collaboration with Katharina Heubner
and Susan Helen Miller
light cube ✖
2015 | light cube, laser installation
Blaue Nacht Nürnberg (art competition within the long night of museums in Nuremberg),
in collaboration with Katharina Heubner
and Susan Helen Miller,
photography: Uwe Niklas, Binghong Hsiao
in between spaces ✖
2013 | in between spaces, laser installation
Blaue Nacht Nürnberg (art competition within the long night of museums in Nuremberg),
in collaboration with Katharina Heubner
and Susan Helen Miller,
photography: Marianne Vordermayr
silent spectacle ✖
2019, 2020 | silent spectacle, installation with kinetic objects
“When the real world is transformed into mere images, mere images become real beings — dynamic figments that provide the direct motivations for a hypnotic behavior.“ Guy Debord
The installation reflects on communication in society and among individuals, where digital screens mediated by digital technology convey and transfer the information. Staying on the surface may lead to denying the complexities underneath.
lumino 1/9 ✖
2016 | lumino 1/9, installation with nine kinetic objects and one video
Small luminous, moving objects confined in boxes with peek holes create their own curious reality unfamiliar to the spectator. These physical objects are designed to be explored through interaction and can be perceived not only visually but also by the delicate noises of their mechanics.
Agonist ✖
2014 | Agonist, video installation | exhibition series “NimmZwei“ (take two), gallery Ecke Augsburg, collaboration with Susan Helen Miller
In den Videos sind Menschen unterschiedlicher Nationalitäten beim Ausführen einer Geste der Gebärdensprache zu sehen.
Sie zeigen das Wort „missverstehen“ in den Sprachen deutsch, österreichisch, amerikanisches/indisches englisch, britisches englisch, estnisch, spanisch, isländisch, italienisch, türkisch, russisch, portugiesisch, schwedisch, rumänisch, lettisch, tschechisch und polnisch.
light box ✖
2014 | light box, installation with 13 kinetic light objects, “himmelwärts“ Karthause Aggsbach
Small luminous, moving objects confined in boxes with peek holes create their own curious reality unfamiliar to the spectator. These physical objects are designed to be explored through interaction and can be perceived not only visually but also by the delicate noises of their mechanics.
out of the blue ✖
since 2012 | out of the blue / Aus heiterem Himmel, stop motion installation to study the color of the sky
For this long term project the sky is photographed from the beginning of the twilight to the nightfall in different countries every day for the duration of one month. The data and location are documented.
This investigation will be continued and extended in other landscapes with different latitudes. So far the sky in Munich, Tokyo and Kristinestad in Finland has been under surveillance, with Finland during midsummer being the strongest contrast to central Europe and Japan. The most recent photographs have been taken in Australia.
The camera is always positioned in the same angle, facing almost straight up, in order to avoid the warm colors of sunset and to focus on the different hues of blue above. In the installation the photographs are projected onto a large wall surface so that the process of diminishing light can be experienced again and again in just a few seconds.
Basis ><1 ✖
2016 | Basis ><1, light installation, Dom Norymbersky, Krakow
Die Exponentialfunktion beschreibt Wachstums- oder Verfallsprozesse. Über die Richtung der Entwicklung entscheidet die Basis.
“Die Art des Wissens, die nur von Beobachtungen gestützt wird und noch nicht bewiesen ist, muss sorgfältig von der Wahrheit unterschieden werden; sie wird, wie wir gewöhnlich sagen, durch Induktion gewonnen. Doch haben wir Fälle gesehen, in denen bloße Induktion zum Irrtum geführt hat. Darum sollten wir große Sorgfalt darauf verwenden, nicht solche Zahleneigenschaften, die wir durch Beobachtung entdeckt haben, und die allein durch die Induktion gestützt werden, als wahr zu akzeptieren.“ Leonhard Euler
pinnacles ✖
2020 | pinnacles, performance offshore in the Baltic Sea
The performance shows the futile attempt to prevent the icebergs from sinking into the sea.
Dynamisches Objekt ✖
2020 | Dynamisches Objekt, performance, collaboration with Joanna Maxellon and Anna Steward
↗ Neues Kunsthaus, Ahrenshoop, august 12, 2020, 19:00
Martina Kändler, Joanna Maxellon und Anna Steward gründeten ihre Künstlergruppe 2018 in Tokyo. Aus Japan brachten sie ihre Faszination für minimalistische Raumerfahrungen mit. Beobachtungen der Bedeutung des Bühnenraumes im traditionellen japanischen Theater oder die generelle Veränderung der Organisation architektonischer Volumina und der darin platzierten Objekte lässt sie nach neuen Formen der Repräsentation von Kunst im Ausstellungsraum suchen. In ihrem Video- und Performanceprojekt Organisation des perfekten Raumes fragen sie beispielsweise, ab welchem Punkt der Raum zum Gegenstand oder zu einem souveränen Kunstwerk werden kann. Die Bedeutung der Leere zwischen den verwendeten Objekten spielt dabei ebenso eine Rolle wie der Versuch, skulpturale, filmische und performative Mittel zu verbinden und in Beziehung zu setzen als gleichsam räumliche und philosophische Kategorie.
Chladnis Tricks (⬇ Download) ✖
2014 | Chladnis Tricks, Android App with animations and sound recognition, collaboration with Gidon Ernst
The app instructs the user to record two noises/sounds from the environment. These are analyzed and prompt an animated visualization of a combination of two objects that corresponds to these sounds. The playful interaction with the app sensibilizes our perception of our surroundings, and lets us experiment with our voice, things, and instruments. Contrasting recordings lead to unexpected associations.
Die App leitet den Benutzer an jeweils zwei Geräusche aus der Umgebung aufzunehmen. Diese werden analysiert und führen zur Darstellung einer den Sounds entsprechenden Kombination von Gegenständen, bzw. deren animierter Darstellung. Der spielerische Umgang mit der App führt zu einer sensibilisierten Wahrnehmung der Geräusche im täglichen aber auch nicht alltäglichen Umfeld, sowie zur eigenen Sound-produktion durch Stimme, Gegenstände und Instrumente. Unterschiedliche Geräusche können bewusst kombiniert werden und führen zu unerwarteten Assoziationen.
hide and seek ✖
2014 | hide and seek, video loop
For the video “hide and seek“, dogs with blinking collars and brightly lit toys frolicking around in a meadow at night were recorded. The colorful traces visible in the dark make the movements of the dogs and the game visible, the size and speed of the objects locate them in space.
transition ✖
transition IV, V, VI
transition I, II, III
2023 | transition, staged photography
pinnacle ✖
2022 | pinnacle, staged photography
medusa plastica ✖
2022 | medusa plastica, staged photography
intermediate ✖
2020 | photography, pigmentprint on aludibond
Zwischen Ideal und Realität entstehen immer neue Diskrepanzen. Die Arbeit “intermediate“ reflektiert das sich ständig verändernde Raumgefüge der Möglichkeiten.
Goldraum ✖
2017 | photography, pigmentprint on aludibond, 43x65cm
unidentified ✖
2014 | photography, pigmentprint behind acrylic glass, 20x30cm
In the series “unidentified“ the impression of a spacial object is generated solely through animated projections that were photographically captured. The prints are presented in small format and behind acrylic glass to repeat the principle of object orientation and to support the spatial illusion.
grey space ✖
2017 | photography, pigmentprint on aludibond, 43x65cm
The series “grey space“ focuses on the illusion of architectural space as imaginable in cities with dark corners and hidden spaces. The view is narrowed onto dark and diffuse zones. Using a white LED to illuminate the paper model changed the color and the temperature to a cooler appearance in comparison to the series Modell/Licht/Raum. The view is narrowed on zones characterized by darkness, twilight and diffuse. The six photographs illuminate different directions without breaking the restricted view. The arrangement is reminiscent of a display of monitoring monitors, but the enlarged format reveals its photographic nature.
Modell/Licht/Raum ✖
2014 | photography, pigmentprint on aludibond, 60x90cm
This series of photographs explores small paper models in different light-dark constellations as a means to simulate architecture. Space itself is created by the illumination, whereas an intentional unsharp and vague focus provokes the illusion of large scale. The effect is enforced by magnifying the print in comparison to the model. The spectator is challenged by a scene that is both seemingly accessible but stays distant and intangible.
walk in the park ✖
2019 | walk in the park, photography, pigmentprint behind acryllic
Auf die abschirmende Wand vor einer Baustelle wurde ein Rasen als Fototapete angebracht. Die Personen bewegen sich in der Stadt vor dem auf ein sich wiederholendes Muster reduziertes Rasenstück wie vor einem Green Screen. Der Hintergrund bleibt ein Substitut. Das virtuelle Naturerlebnis wird in den Stadtraum geklebt.
Immobilien ✖
2017-2019 | Immobilien, photography
The photographic series “Immobilien“ is a long term observation of permanent campers in different countries. The series reveals the dichotomy in the german term “Dauercampen“. The temporary transitory accomodation in nature is replaced by a permanent habitation. This is likewise reflected in the title “Immobilien“, the german expression for real estate and also the opposite of mobility. Instead of traditional building material, however, you can find many layers of plastic planes thrown over different metal constructions, referring to the tradition of tents but not even trying to feign mobility. Every object has its correct position.
Skybox Dreaming ✖
2019 | Skybox Dreaming, interactive video installation, Bed, projection, sensor, custom software. Kreativquartier München.
Cooperation with
Michael Kaesdorf,
Paolo Holinski,
Tatiana Kocharava,
Isabel Paehr,
Agustín Ramos Anzorena.
Lay down and enjoy the various shapes of the clouds: faces, trees, animals, glitches, chunks, the borders of a skybox.
the blue) was a clear indicator of the state of the game. We were getting all the way to the point where we were all ready for the next round. That's when we started seeing more games go into overtime.
What was the first time you saw that?
topology ✖
2018 | topology, video installation
With the means of projection the experience of space is altered, the architecture virtually extended. The view into an intangible and perpetually changing illusionistic volume opens up. The conventional perception of built structures is inverted. In the installation the spectator remains immobile whereas the virtual walls and voids produced by the projection undergo a constant transformation.
2018 | topology, photography, pigmentprint on acrylic
The video installation is complemented by a series of photographs reflecting the theme of transition between different architectural volumes. The aspects of elaboration originate in a residency in Japan. In the Buddhist temples the sacred hall with gold plated statues is often left in the dark with a few rays of sunlight as the only light source. These are reflected by the golden sculptures and form a slight shimmer in the darkness. Following this idea real gold leaf was applied onto the paper models, introducing a new color, using reflection and the mirroring of light and surfaces. Darkness is deployed purposefully as a space generating matter. It introduces a form of curiosity for the secretive and reflects the topic “topology”, the movement in between two points in space, the state of transition that implies facing the uncharted.
Obstkorb ✖
2017 | Obstkorb, plastic packaging, 24k gold leaf
Siebensachen ✖
2017 | Siebensachen, plastic bag, 24k gold leaf, 70x80x25cm
Precious metals are chemically resistant, imperishable and praised valuable. In art they became a symbol for the supernatural, the divine, and the light itself. I experimented with real gold in form of leafs plated on plastic objects.
One of these objects is the checkered plastic bag, an icon for storage of belongings and also a cheap container for luggage, a mass product that is part of our everyday’s world. In the new mass migration the bag has become a symbol of moving with very few belongings, of being on the go, of hope to get to a place better than the one left behind. The luggage carries the memories of the past and the kit to face an uncertain future in a new surrounding. Thus the inexpensive bag contains a person’s everything. In “Siebensachen“ this metaphoric value is symbolized by the precious metal on the outside.
The title refers to the german proverb seven/important belongings to pack when preparing for a journey. There is also a saying “Pack deine Siebensachen“ which can be roughly translated with “get your things and leave“ or even “get lost“.
CV
diploma of arts, Academy of fine arts Nuremberg
“Meisterschülerin“, Prof. Eva von Platen
master of arts in art education, art history, and psychology, University of Augsburg
lives and works in Munich
Selected Exhibitions
- 2024 | transforming landscapes | photography and video installation | Art Spot Korin | Kyoto
- 2024 | Arbeitsaufenthalt Künstlerhaus Lukas | Ahrenshoop
- 2024 | transition | Kunstwand Halle E | HP8 Gasteig München
- 2023 | TANDEM 05 | Martina Kändler und Susanne Pittroff | HP8 Gasteig München
- 2023 | medusa plastica | installation | ADAPTER_The Fake Green Grass Of Home | kultur.lokal.fuerth | Fuerth
- 2022 | CROSSLINK | HP8 KünsterInnen in der Halle E | HP8 Gasteig München
- 2022 | SIPHONE | light and sound installation | Martina Kändler and Regine Elbers | Das KloHäuschen
- 2022 | Arbeitsaufenthalt Künstlerhaus Lukas | Ahrenshoop
- 2022 | can a landscape | video | 3.11 - Dialogue with Fukushima | Toki Gallery | Tokyo
- 2021 | digital cyanometer | interactive website | Trolls in the Park | Zenpukuji Park | Tokyo
- 2020 | silent spectacle | KloHäuschen | KH-Kunsthalle Munich
- 2020 | Dynamisches Objekt | performance | Neues Kunsthaus | Ahrenshoop
- 2020 | kinetic light object in miniature scale | KloHäuschen Biennale | KH-Kunsthalle Munich
2020 | EVAPORATE | participatory installation | Blaue Nacht Nuremberg(cancelled)- 2020 | walk in the park | photography | C.A.R. Talente | contemporary art ruhr | Zeche Zollverein Essen
- 2020 | NEW year SAME desire | Künstlerhaus Andreasstadl | Regensburg
- 2019 | silent spectacle | Nishi Ogikubo | Tokyo
- 2019 | ZU GAST | Künstlerhaus Andreasstadl | Regensburg
- 2019 | work in progress | sculpturespace Utica | New York
- 2018 | topology | video installation and photography | S.Y.P. art space | Tokyo
- 2018 | out of the blue | Shibaura House | Tokyo
- 2018 | international art week | Kristinestad | Finnland
- 2017 | siebensachen & goldraum | photography | C.A.R. Talente | contemporary art ruhr | Zeche Zollverein Essen
- 2017 | portal art fair | photography | New York City
- 2017 | rheology | Photography and video installation | Mixed Media Residency Exhibition | Con Artist Collective | New York City
- 2017 | grey space | photography | C.A.R. Talente | contemporary art ruhr | Zeche Zollverein Essen
- 2016 | Plateau | laser installation | Herrenberg | light art festival “ascents“ cultural region Stuttgart Germany
- 2016 | Vertex | permanent light installation in the public space of Herrenberg | light art festival “ascents“ cultural region Stuttgart Germany
- 2016 | lumino 1/9 | installation with kinetic light objects, video, and photography | exhibition hall of the academy of arts Nuremberg
- 2016 | 123 | video installation in public space | projection on the facade of the Norishalle Nuremberg
- 2016 | Basis ><1 | video installation | anniversery of the town twinning of Nuremberg and Krakow, gallery Dom Norymbersky Krakow Poland
- 2016 | Food | group exhibition with students from Krakow and Nuremberg | gallery Edel Extra Nuremberg
- 2015 | light cube | laser installation | Blaue Nacht 2015 (art competition within the long night of museums) Nuremberg | 2. audience award
- 2015 | DISCO | group exhibition | gallery of the academy of arts Nuremberg
- 2015 | Was wollt ihr eigentlich von mir? (What do you actually want from me?) | video installation within the group exhibition | art society amberg
- 2014 | Agonist | video installation | exhibition series “NimmZwei“ (take two) | gallery Ecke Augsburg
- 2014 | light box | installation with kinetic light objects | Kunst in der Kartause | chapter house of the monastery Aggsbach near Vienna
- 2014 | why photography matters | curated by Prof. Lars Blunck | exhibition with publication at the academy of arts Nuremberg
- 2014 | Die Maschine (the maschine) | performative room installation | group project at the academy of arts Nuremberg | funded by the Rotary Collection
- 2014 | Obszar Jasności | Martina Kändler and Maria Pyrlik | photography and installation | gallery Dom Norymbersky Krakow
- 2013 | in between spaces | laser installation | Blaue Nacht 2013 (art competition within the long night of museums) Nuremberg | 1. audience award
- 2012 | Intensivstation (intensive care unit) | video installation | art society Kohlenhof Nuremberg
- 2012 | Die 10 größten Enttäuschungen (The 10 biggest disappontments) | performance | Blaue Nacht (long night of museums) Nuremberg
- 2012 | Aus heiterem Himmel (out of the blue) | light installation | investigation of the colour of the sky | academy of arts Nuremberg
- 2012 | Streitfeld offen | video installation | art society Streitfeldstraße 33, München
- 2012 | Rampe_Ausstellungslabor 11 (ramp_exhibitionlaboratory 11) | laser installation | exhibition hall of the academy of arts Nuremberg
- 2012 | /Prospekt/ Vorhang auf… ( /prospect/ curtain raise…) Neues Museum (state museum for Art and Design) Nuremberg
- 2011 | Voll Schwanger (totally pregnant) video installation | group project at the academy of arts Nuremberg | Smurfit Kappa art prize
- 2011 | Dinge, die nie gezeigt werden dürfen (things that must never be shown) | photography | gallery of the academy of arts Nuremberg
Contact
Martina Kändler
Art Studio
Hans-Preissinger-Str.8
81371 München, Germany
Imprint/Impressum
Atelier
Hans-Preißinger-Str.8
81371 München
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